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Bursting to WriteTalk for Writing trainer, Maria Richards, started by deciding on what we would writeexplores how to teach writing well through about:Talk for Writing’s short-burst approach
There are so many things I have learned aboutteaching writing well. There is the use of ablueprint model, matched to the learning needsof children; there is the place of quality literatureto feed children’s knowledge of shaping writing;there is the understanding of the writingelements that create a toolkit for a particularaspect of narrative – to name but a few
However, the one thing that I come back to,time and time again, is the power of short-burstwriting as part of warming-up a unit within theTalk for Writing sequence; a process that trulysupports children to think like a writer, teachesthem to bring their writing alive (painting We chose:pictures in their heads of their readers) andhelps them to understand the craft of mandescription. eyes eyebrowsFor me, short-burst writing is about exploring wrinklespossibility and teaching the children how to beardwrite. If we want a really powerful setting, thatperfectly matches the mood of our story and the We then gathered vocabulary, with meplight of our character, how do we write it? If we extending where needed:want a sinister character to appear and createa problem in our story, how do we describe thatcharacter effectively? What does it actually looklike on paper? This is where short- burst writingcan come in. Essentially, it is about exploringand practising the language and skills neededfor the writing
Take describing characters as an example. If Iwant the children to really describe a charactereffectively, I will invest time looking at whatmakes good characterisation and then we willwork on crafting the writing. For this, I will takean image and we’ll discuss the type of characterwe want to portray. Then we will slow the detailand description down by deciding whatelements of the character we will describe, forexample, eyes, jaw, brows, mouth and so on
We will then work together, crafting the bestway to describe each of those elements. Thisusually starts with a collection of vocabularythat we could use to describe the feature andthen apply that to the prose
Looking at the image below (from an internetsearch) with a Year 4/5 class recently, we© Talk for Writing 2019. This resource may be reprinted for teaching purposes only. It should not beforwarded to others, duplicated in any other format, placed online or used for commercial gain
1 After that, we worked together through shared When writing with the children, I had a basicwriting, to craft each line of description, using toolkit for quality description that I keptthe best possible language: referring them to and this is what we want to get children thinking about themselves as they focus in on the description they want to create: Powerful adjectives/adverbs bring the picture alive – twisted wrinkles Name it (nouns) the Mercedes Be precise with verbs – the man lurks Use a touch of figurative language – e.g. alliteration, simile, metaphor, personification like a cave of sapphires; Crescent moon eyebrows Try fresh, new combinations - cushioned skin I had also planned out a possible framework for the shared writing, so I could keep my teaching points on track and help guide the children to the best possible outcomes. Thorough planning at this stage pays off when getting the best possible language development with the children. You can see below that the class writing doesn’t mirror this exactly, but it supports the teaching effectively
The Mysterious ManThe mysterious man lurks in the shadows
His piercing, ocean eyes like a cave ofsapphires, peer
Crescent moon eyebrows curve
Deep, twisted wrinkles smother his cushioned Once we had shared the short burst writing,skin. children went on to have a go on their own toHis chalky, thorn beard shields a weathered apply the skills and language modelled
The power of this comes though when applyingTyne Class, Year 4/5 Holway Park Primary the short burst into the stories that the childrenSchool, Taunton, Somerset. write. Once we have our character description, we can show the children how to raid this when they write their stories. Take the example below of applying the character work into the story
The children were writing modern versions of Little Red Riding Hood and dropping in a character that was waiting at the end of an alleyway that she has to walk through. This is what we wrote together before they applied their characters into their own stories
© Talk for Writing 2019. This resource may be reprinted for teaching purposes only. It should not beforwarded to others, duplicated in any other format, placed online or used for commercial gain
2 This is where we see how we can raise thequality of the children’s descriptions by explicitlyshowing them how to craft each line and thenraid ideas to fit the story they are writing. The OwlEssentially, we can use short burst writing for The owl perches,any skills we want to practice and then apply in His coal eyes as dark as a new moon
longer pieces. It might be a short burst of Beak curved like a scimitar
particular sentence patterns or to apply the Feathers, white like lightening, scattered withelements of a toolkit. We may even craft our inky darkness
short bursts through writing free verse poems Knife-like talons pounce, rip, tear
based on the same idea of forming a spine to It stares: a cavalry solider, a preying tiger, adescribe an image or a real object. The more devil in disguise
children do this, the more they have a repertoireof possibilities to draw on when describing and Written with Mersey Class (Year 6)the more they begin to instinctively apply that Holway Park Primary School, Taunton,basic toolkit for description. Take the following Somerset
examples below written with children in differentclasses in the same school:© Talk for Writing 2019. This resource may be reprinted for teaching purposes only. It should not beforwarded to others, duplicated in any other format, placed online or used for commercial gain
3 Short burst writing has transformed the way I think about teaching writing skills and I have now seen how it can powerfully transform children as writers too. Plan it into your Talk for Writing sequences and find your transformations
Maria Richards is available for Talk for Writing training throughout the UK. Please visit the training page on the Talk for Writing website for more details
The TigerThe tiger howls
His fearsome mouth like a dark cave
Arrow-sharp teeth hang like vicious bats
Wiry, wild whiskersexplode like fireworks
Blood-red nose spies for prey
Tamar Class (Year 2)Holway Park Primary School, Taunton,Somerset
© Talk for Writing 2019. This resource may be reprinted for teaching purposes only. It should not beforwarded to others, duplicated in any other format, placed online or used for commercial gain
Take describing characters as an example. If I want the children to really describe a character effectively, I will invest time looking at what makes good characterisation and then we will work …
Doing writing bursts is a great way to get going when time is short and motivation flagging. What is a writing burst? I came across the concept in Robert Graham’s How to Write Fiction (And Think About It).
The Talk for Writing approach enables children to read and write independently for a variety of audiences and purposes within different subjects. A key feature is that children internalise the language structures needed to write through ‘talking the text’ as well as close reading.
There are plenty of sources for writing burst prompts. The Writers’ Book of Matches, by Writers’ Digest Books, is a collection of “1,001 prompts to ignite your fiction”. The Pocket Muse: Ideas and Inspirations for Writing has some similar exercises, as well as photo prompts to help spark your writing.
Talk for Writing is a unique process that uses spoken activities to develop writing skills. Quality writing is created by first expanding and developing students’ oral language skills and then teaching the necessary steps for exceptional sentence, paragraph and text construction.