File Name: Undergraduate_School_of_Music.pdf
File Size: 280.45 KB
File Type: Application/pdf
Last Modified: 3 years
Status: Available
Last checked: 13 days ago!
This Document Has Been Certified by a Professional
100% customizable
Language: English
We recommend downloading this file onto your computer
304 College of Communication Architecture + The Arts Undergraduate Catalog 2019-2020School of Music MUT 1221 MUT 1222 MUTX221 MUTX222Karen S. Fuller Veloz, Interim Director MUT 2226 MUTX226Brenton Alston, Assistant Professor MUT 2227 MUTX227Jacob Berglin, Assistant Professor MUNXXXXBarry Bernhardt, Senior Instructor and Director of MVxXX1X Marching Band MVxXX2XFederico Bonacossa, Instructor XXXXXXX²Jason Calloway, Instructor Secondary Piano – Proficiency byGary Campbell, Professor examination¹Candice Davenport, Assistant Professor ¹or MVKX111 & MVKX112 & MVKX121 & MVKX122 ORRobert Davidovici, Professor MVKX111r & MVKX111r & MVKX121r & MVKX121r &David Dolata, Professor MVKX211 & MVKX221 as needed to achieve pianoAvi Nagin, Visiting Instructor proficiency
Karen S. Fuller-Veloz, Senior Instructor ²Varies from Track to TrackJoel Galand, Associate Professor PLEASE NOTE: Duplicate courses such as MVK X111rOrlando J. García, Professor may be repeated up to 4 times
Kemal Gekic, Professor MUN (Ensemble) and MVX (Applied Performance)James Hacker, Senior Instructor requirements will transfer based on the required audition
Enrique Caboverde, Music LibrarianWilliam Dan Hardin, Music Librarian Courses which form part of the statewide articulationFredrick Kaufman, Professor Emeritus between the State University System and the FloridaVindhya Khare, Instructor College System will fulfill the Lower Division CommonMichael Klotz, Senior Instructor Prerequisites
Marcia Littley, Senior Instructor For generic course substitutions/equivalencies forJosé R. López, Associate Professor Common Program Prerequisites offered at communityJavier José Mendoza, Assistant Professor colleges, state colleges, or state universities, visit:Jamie Ousley, Associate Professor https://www.flvc.org, Search Program Listing byMesut Özgen, Senior Instructor Alphabetic OrderSandra Sanchez-Adorno, Assistant ProfessorJacob Sudol, Associate Professor Common Requirements for AllMichael Vitenson, Instructor Bachelor of Music Degrees N.B. Students must earn a grade of "C" or better in allFreshman/Sophomore Admission courses required for the major. A grade of "C-" or lower isFreshman admission requires an audition and placement not acceptable in any required course
test in Music Theory. Contact the School of Music at (305) University Core Curriculum1 33348-2896 for an audition appointment
Music TheoryTransfer Admission MUT 1111 Music Theory I 3To qualify for admission to the program, FIU MUT 1112 Music Theory II 3undergraduates must meet all the lower division MUT 2116 Music Theory III 3requirements, complete 60 semester hours, and be MUT 2117 Music Theory IV1 3otherwise acceptable into the program. Music students at Sightsingingthe University come from a wide variety of academic MUT 1221 Sightsinging I 1backgrounds from Florida, other states, and countries. MUT 1222 Sightsinging II 1Because of this diversity, the faculty of music gives basic MUT 2226 Sightsinging III 1preliminary examinations in order to assist the student in MUT 2227 Sightsinging IV2 1eliminating any deficiencies: 1. Music History - consistingof all periods of history. 2. Music Theory - consisting of Music Historysightsinging, melodic and harmonic dictation and written MUH 3211 Music History Survey I 3harmonization and analysis. All transfer music majors MUH 3212 Music History Survey II 3entering Fall 2011 or later must satisfy the FIU Global EthnomusicologyLearning requirement by taking IDS 3336 Artistic MUH 3514 Music of the World – GL 3Expression in a Global Society – GL and MUH 3514 Musicof the World – GL
1StudentsCommon Prerequisite Courses and in Jazz Performance track replace MUT 2117Equivalencies (Music Theory IV) with MUT 3171C (Jazz Theory II) 2Students in Jazz Performance track replace MUT 2227FIU Course(s) Equivalent Course(s) with MUT 3XXX (Jazz Ear Training)MUT 1111 MUTX111 or MUTX121 3Students in Jazz Performance track replace MVK 2121MUT 1112 MUTX112 or MUTX122 and MVK 2122 with MKV 3135 (Jazz Piano I) and MVKMUT 2116 MUTX116 or MUTX126 3136 (Jazz Piano II)
MUT 2117 MUTX117 or MUTX127 Undergraduate Catalog 2019-2020 College of Communication Architecture + The Arts 305Class Piano ConductingMVK 1111L Class Piano I 1 MUG 4101 Basic Conducting 1MVK 1112L Class Piano II 1 MUG 4302L Instrumental Conducting 1MVK 2121L Class Piano III3 1MVK 2122L Class Piano IV3 1 Recitals Junior Recital 0Music Technology Senior Recital 0MUC 1342 MIDI Technology 2 ElectivesMusic Business Music Electives 6MUM 4301 Business of Music 3 Total 53Recital AttendanceMUS 1010 Recital Attendance is required 0 Vocal Performance each semester enrolled in applied In addition to the UCC requirements, the common lessons at the freshman/sophomore requirements for all music degrees, and the required level courses for the Vocal Performance track listed below, allMUS 3040 Recital Attendance is required 0 voice majors must satisfy the following foreign language each semester enrolled in applied requirements
lessons at the junior/senior level Students must demonstrate competency at the level ofTotal University & Music Core 67 the first semester of an intensive college language sequence or beyond in two of the following languages:Bachelor of Music French, German, and Italian. Each of these two requirements may be met by:Degree Program Hours: 120 a) Successfully completing with a grade of ‘C’ or betterA Bachelor of Music degree is offered with an emphasis in (C- does not count): the first semester or higher of aone or more of the following areas: Applied Music, foreign language sequence at FIU from the list ofComposition, Jazz Studies, Music Technology, and Music accepted languages
Education. b) Completing the equivalent at another college, or All entering students must provide evidence of c) Presenting acceptable scores in the Advancedperformance ability (vocal or instrumental) through an Placement Exam, the SAT II, the CLEP exam, oraudition. Contact the School of Music at (305) 348-2896 other approved instruments. Recommendedfor more information or to schedule an audition. equivalencies are available at https://ugrad.fiu.edu/transfer/Pages/TransferEquivAreas of Emphasis alencyProcess.aspx
The following are areas of emphasis for music students. Elective credits may be used to fulfill the foreign languageAdmission to each area is by faculty approval. requirement
Instrumental Performance Required Courses Music TheoryRequired Courses MUT 3611 Form and Analysis 3Music Theory / History Upper Division MUT or MUH course 3MUT 3611 Form and Analysis 3Upper Division MUT or MUH course 3 Ensembles For each semester of lower division applied voice, 4Ensembles 8 1 cr. hour of “major choral ensemble” (MUN 1310 or MUNOne major ensemble every semester enrolled in lessons 1340) as assigned by Director of Choral StudiesAdditional ensembles 8 For each semester of upper division applied voice, 4(Placement will be determined by area coordinator 1cr. hour of “major applied ensemble” (MUN 3313 orMajor Applied Lessons MUN 3343) as assigned by the Director of Choral StudiesLower Division Major Applied Lessons Major Applied LessonsFour semesters, 2 credits each semester 8 Four semesters; 3 credits each semester 12Upper Division Major Applied LessonsFour semesters, 3 credits each semester 12 Upper Division Major Applied LessonsLiterature Four semesters @ 3 credits each 12Music Literature (MUL) course2 3 ConductingMusic Internship MUG 4101 Basic Conducting 1MUM Music Internship 0 MUG 4202 Choral Conducting 12 Recitals To be chosen in consultation with Area Coordinator. MVV 3970L Junior Recital 0Guitarist should take MUL 4400 (Guitar Literature) and MVV 4971L Senior Recital 0string players should take MUL 4500 (SymphonicLiterature). Wind players should take MUL 4XXX (Wind Diction for SingersLiterature) and are strongly encouraged to take MUL 4500 Either MUS 2201-2202 (2 credits each) or MUS 2211,as well. 2221, 2231, and 2241 (1 credit each) 4 306 College of Communication Architecture + The Arts Undergraduate Catalog 2019-2020Vocal Pedagogy MUC 4611 Documentary Film ScoringMVV 3630 Vocal Pedagogy 2 Fundamentals MUS 4650 Experimental Music and ArtsOpera Workshop MUS 4610 Film Scoring FundamentalsMUO 4502 Opera Workshop per semester of upper division applied voice 4 Music InternshipInternship MUM Music Internship 0MUM 3942 Music Internship 0 Total 53LiteratureMUL 3600 Art Song Literature 3 Combined BM/MM in Vocal PerformanceElectives 4 Admission Requirements Total 53 Current overall GPA of 3.2 or better
Completed at least 90 credit hours of course workComposition Requirements (36 credits)Required Courses Senior YearMusic Theory/History In their senior year, students will compete four 5000MUT 3401 Counterpoint 3 level courses (10) credits)MUT 3611 Form and Analysis 3 In their fourth year, students will also complete theMUT 4311 Orchestration 3 exit requirement for the undergraduate VocalEnsembles Perfomance major, the Senior Recital, MVV 4971 (0Lower level – 4 credits 4 credit)(1 per semester freshman and sophomore years to be Students must apply for graduation so that they willselected by principal instrument/voice area director) receive the B.M. at the end of their senior year
Upper level – 2 credits 2 Fifth Year(Junior and senior years 2 semesters of New Music During their fifth year, students will complete 18 hours ofEnsemble; others to be selected by principal graduate-level work, including the followinginstrument/voice area director) MVV 5451 Major Applied Voice (1 semester) 3Conducting MUN 5XXX Elective Ensemble (2 semesters/1creditMUG 4202 Choral Conducting 1 each) 2 or MVV 5652 Vocal Pedagogy II 2MUG 4302L Instrumental Conducting 1 MUO 5505 Opera Workshop (2 semester/1 credit each) 2Principal Applied Lessons MUS 5711 Music Bibliography 2Lower Division Principal Applied Lessons MUH 6937 Special Topics in Music History 1Four semesters @ 2 credits each 8 MUS 5906 Master’s Recital 6Upper Division Principal Applied LessonsTwo semesters @ 2 credits each 4 All students must complete the M.M credits within oneComposition 3 year of receiving the B.M. in Music at FIU
MUC 2221 Composition I 2MUC 2222 Composition II 2 Minor in Music CompositionMUC 3231 Composition III 2MUC 3232 Composition IV 2 A minor in Music Composition is available for studentsMUC 4241 Composition V 2 receiving the BM degree in areas of studies other thanMUC 4932 Composition Forum– 4 semesters 4 composition (e.g. jazz studies, applied, music education)
In order to receive credit for a minor in compositionElectronic Music students must successfully complete the following:MUC 2301L Introduction to Electronic Music 2MUC 3302 Electronic Music Lab II 2 Required Courses Music TheoryRecitals4 MUT 4311 Orchestration 3MUS 4910 Research (Composition Recital) 2Senior Recital (voice instrument) 1 Composition (beyond Basic Music Composition)Interdisciplinary Course Electives MUC 2221 Composition I 2Three credits from 3 MUC 2222 Composition II 2 Electronic Music MUC 2301L Introduction to Electronic Music 24 Composition students must present a 45 minute recital oftheir work and a 30 minute performance recital. A final oral Composition Forumexam administered after the composition recital must also MUC 4932 Composition Forum (2 semesters) 2be successfully completed. Composition students must Interdisciplinary Courses 3 credits from the following:earn a “B” or better in all theory, composition, and MUS 4650 Experimental Music and Arts 3electronic music courses
Undergraduate Catalog 2019-2020 College of Communication Architecture + The Arts 307MUC 4610 Film Scoring Fundamentals 3 RecitalsMUC 4611C Documentary Film Scoring Junior Recital 1 Fundamentals 3 Senior Recital 1 Total 14 ElectivesJazz Performance Organ (Principal) 2* *2 credits of Organ can be substituted for 2 crs ofRequired Courses additional ensembles and/or Accompanying, asMusic Theory/History determined by the Keyboard area coordinator
MUT 2641 Jazz Improvisation I 2 Total 53MUT 2642 Jazz Improvisation II 2MUT 3170C Jazz Theory I 3 Organ PerformanceMUT 3171C Jazz Theory II (mus. core) 3 BM in Organ PerformanceMUT 3XXX Jazz Ear Training (mus. core)MUH 3801 Jazz History 3 Required Courses (120 credit hours)MVK 3135 Class Jazz Piano I (mus. core) 1 University & Music Core 67MVK 3136 Class Jazz Piano II (mus. core) 1 Music Theory/HistoryMUT 4353 Jazz Arranging 2 MUT 3611 Form and Analysis 3Ensembles Upper Division MUT or MUH course 3Two credits each semester 16 LiteratureMajor Applied Lessons MUL 4490 Organ Literature 3Lower Division Major Applied Lessons EnsemblesFour semesters, 2 credits each semester 8 Major Ensembles (2 semesters minimum) 2Upper Division Major Applied Lessons Ensembles assigned by the keyboard area director 6Four semesters, 3 credits each semester 12 AccompanyingMusic Internship MUN 2510 (4 semesters) 4MUM Music Internship 0 MUN 4513 (2 semesters) 2Recitals Keyboard HarmonyJunior Recital 0 MVK 2180L 1Senior Recital 0 Major Applied LessonsElectives Lower Division Major Applied LessonsMusic Electives 5 Four semesters @2 credits each 8 Total 53 Upper Division Major Applied LessonsPiano Performance Four semesters @ 3 credits each 12BM in Piano Performance PedagogyRequired Courses (120 Credit hours) MVK 4640 Keyboard Pedagogy 2University & Music Core 67 Music InternshipMusic Theory/History MUM Music Internship 0MUT 3611 Form and Analysis 3Upper Division MUT or MUH course 3 Conducting MUG 4101 Basic Conducting 1Literature MUG 4202 Choral Conducting 1MUL 4400 Keyboard Literature I 3MUL 4401 Keyboard Literature II 3 Recitals Junior Recital 0Ensembles Senior Recital 0Major ensembles (2 semesters) 2Ensembles assigned by the Keyboard Area Coordinator 6 Electives Applied Piano (Principal) 4Accompanying Music Electives 4MUN 2510L Accompanying (four semesters) 4 Total 53MUN 4513L Accompanying (two semesters) 2 Music BusinessKeyboard Harmony Required CoursesMVK 2180L 1 EnsemblesMajor Applied Lessons Six (6) ensembles of 1 credit each 6Lower Division Major Applied Lessons Applied LessonsFour semesters 2 credits each semester 8 Six (6) lessons of 2 credits each 12Upper Division Major Applied LessonsFour semesters 3 credits each semester 12 Junior Recital 0Piano Pedagogy Twenty-one (21) credits from:MVK 4640 Keyboard Pedagogy 2 MUM 3743C Artist Management 3 308 College of Communication Architecture + The Arts Undergraduate Catalog 2019-2020MUM 3744C Career Development for Artists 3 (The Bachelor of Music: Major Music Education leads toMUM 3734C Concert Promoter and Venue K-12 Professional Teaching Certification in Music in the Management 3 State of Florida.)MUM 3742L Music Production 3MUM 3XXX Music Concert Industries 3 Bachelor of Music 120MUM 4302 Business of Music II 3 BM Core (67)MUM 4724C Concert Touring 3 UCCs 33MUM 4803 Grant Writing for the Arts 3 Music Core 34MUM 4814C Leadership in the Arts 3 Music Education Core (53)MUL 4XXX Music Administration History and Principal Applied Lower Div. Lessons 8 Analysis 3 Principal Applied Upper Div. Lessons 4Music Research Ensembles 6MUS 4910 Research Project 2 Music Education majors are required to enroll in 1MUM 4940 Music Internship 6 ensemble each semester enrolled in applied lesson
Electives MUE Forum (MUE X390) 0Music Electives 6 Required each semester enrolled prior to internship
Total 53 Junior Recital 0Music Technology MUG 4101 Basic Conducting 1 MUG 4201 Instrumental Conducting 1Required Courses ORMusic Technology MUG 4202 Choral Conducting 1MUC 2301L Introduction to Electronic Music 2MUC 3303L Digital Instrument Design 2 Music Education Foundations (27)MUC 3333 Sound Reinforcement 3 MUE 2040 Intro to Music Ed 2MUC 3304L Audio Digital Signal Processing 2 MUE 3340*^ Elementary Music Methods+ 3MUC 4404L Advanced Topics in Music MUE 3744*^ Assessment and Evaluation in Music Technology 2 Education + 2MUS 4910 Senior Thesis 4 MUE 3395*^ Music in Special Education 3MUM 494 Music Internship 0 RED 4325*^ Subject Area Reading 3 TSL 4324*^ ESOL Methods K-12 – GL 3Ensembles MUE 4940 Student Teaching 9Major ensemble for four semesters 4 MUE 3411C^ Choral Methods 2MUN 3024 Laptop Ensemble 3 OR(for minimum of three semesters) MUE 3332^ Secondary Inst. Methods. 2Principal Applied Lessons Music Technique Emphasis (choose 6 credits) **Four semesters Lower Division MVV 3630 Vocal Pedagogy 22 credits each semester 8 MVS 1116 Guitar Skills 1Two semesters Upper Division MUE 2240 String Techniques 12 credits each semester 4 MUE 2450 Woodwind Techniques 1Conducting MUE 2460 Brass Techniques 1MUG 4101 Basic Conducting 1 MUE 2470 Percussion Techniques 1 MUE 2346 Vocal Techniques 1Other Music Courses MUE 4480 Marching Band Techniques 3Two of the following three courses 6 MUS 2211 English Diction 1chosen with consultation of advisor MUS 2221 French Diction 1MUS 2501 Recording and Production in Pro Tools MUS 2231 German Diction 1MUS 4611 Documentary Film Scoring MUS 2241 Italian Diction 1 FundamentalsMUS 4650 Experimental Music and Arts *Prerequisite: Passing scores on all four (4) parts of theCoursework Outside of Music General Knowledge FTCEPHY 34652 or one Computer Science elective selected in ^ Certification field hours requiredconsultation with advisor 3 + Recommended co-requisite ** Techniques may be substituted at discretion of AreaElectives Coordinator and AdvisorSelected in consultation with Advisor 9 Total 532 May substitute MUS 4324 if PHY 3465 is unavailable Bachelor of ArtsMusic Education Degree Program Hours: 120 The Bachelor of Arts degree is a flexible research-based multidisciplinary degree. In consultation with faculty Undergraduate Catalog 2019-2020 College of Communication Architecture + The Arts 309advisors, students craft a plan of study tailored to their Free Electives 17own particular musical interests, which may also becombined with areas outside of music. Entrance Requirements 1. Successful instrumental or vocal audition
University Core Curriculum 33 2. Students must pass the Fundamentals Course (MUTMusic Theory 12 1001) with a minimum grade of “C” or be placed intoSight Singing 4 Theory I prior to taking any academic music courses
Ethnomusicology 3 Exit RequirementsClass Piano 4 Successful completion of significant research paper (e.g
Same as Bachelor of Music, except that the BA student 30 pages) and presentation approved by a School ofmay substitute a jazz theory course for MUT 2117 Theory Music committee of two or three full-time faculty memberIV, Jazz Ear Training for MUT 2227 (Sight Singing IV), or Total 120MKV 2121 and MKV 2122 with MKV 3135 (Jazz Piano 1)and MVK 3136 (Jazz Piano II) Minor in MusicMusic HistoryMUH 3211 Music History Survey I 3 Students majoring in any other discipline may minor inMUH 3212 Music History Survey II 3 music by successfully completing the following curriculumMusic History or Literature Elective 6 with a grade of “C” or better in each course. Half the(Choose any two upper-division MUH or MUL course, in credits taken for the Music Minor must be taken at FIU
consultation with area coordinator) Required CoursesMusic Technology Music Theory chosen from: 6MUC 1342 MIDI Technology 2 MUT 1101 Fundamentals of MusicMusic Business MUT 1111 Theory IMUM 4301 Business of Music 3 MUT 1112 Theory II MUT 2116 Theory IIIRecital Attendance MUT 2117 Theory IVMUS 1010 Recital Attendance is required 0 Music Appreciation 3 each semester enrolled in Music History chosen from: MUH 3211 – MUH 3214 applied lessons at (Music History Survey I-IV) 3 the freshman/sophomore level Music Electives 12MUS 3040 Recital Attendance is 0 Total 24 required each semester Students must take a Music Fundamentals Test in order toPrincipal Applied Lessons determine the appropriate initial theory class; unless they4 semesters @ 2 credits each 8 choose to begin with MUT 1001, for which no test orEnsembles prerequisite is required. Students must pass an audition at1 credit for every semester enrolled in lessons 4 the level of music principal to qualify for the minor in music, whether or not they intend to register for appliedInternship lessons or ensembles. It is assumed that studentsMUM 4940 Internship 0 auditioning for applied lessons will have taken privateOther Required Courses lessons for several years. Music minors registered forMUH 3912C Basic Music Research and applied lessons must register for at least one ensemble Bibliography5 2 every semester they are registered for applied lessons
MUS 49106 Senior Research 4 Admission to applied lessons and participation inRestricted Electives7 12 ensembles is at the direction of the area advisor
5 Minor in Sacred Music With approval of area coordinator (s) most closelyassociated with student’s area(s) or research, may A minor in Sacred Music is available for students receivingsubstitute another course as preparation for the Senior the BM degree or the BA in Music degree and is designedProject. to allow music majors to further develop the skills and6 Students must complete a significant research paper expertise needed to work successfully in the area of(e.g. 30 pages) and give a presentation for successful of sacred music
Senior Research project to two or three full-time REQUIRED COURSES:instructors MUG 4202 Choral Conducting 17 MUM 4940 Music Internship 3 Course chosen in close consultation with area Applied Elective 2coordinator(s) most closely associated with student’s (organ, piano, guitar, or voice lessonsarea(s) or research. These electives should support the with a focus on sacred music)student’s Senior Project or form a coherent program of Music History and Literature 3study, such as a minor. Chosen from the following: MUL 4643 Choral Literature 310 College of Communication Architecture + The Arts Undergraduate Catalog 2019-2020MUL 4490 Survey of Organ Literature MUM 4940 Music Internship 2MUH 4680 Special Topics in Music History* or*This course is offered on a variety of topics, to fulfill the MUS 4910 Senior Research 2requirements for the minor, students must enroll in the Total credits 18section titled: Origins of Sacred Polyphony ___________________________________Religious studies 3Chosen from the following: Course DescriptionsREL 3398 Rhythms of the Sacred Definition of PrefixesREL 3308 Studies in World Religion IDS-Interdisciplinary Studies; MUC-Music: Composition; MUE-Music: Education; MUG-Music: Conducting; MUH- Total credits 12 Music: History/Musicology; MUL-Music: Literature; MUM- Music: Commercial; MUN-Music: Ensembles; MUO-Music:Certificate in Music Business Opera/Musical Theatre; MUS-Music; MUT-Music: Theory;Students majoring in Music or any other discipline may MVB-Applied Music/Brass; MVJ-Applied Music/Jazz;receive a certificate in Music Business by successfully MVK-Applied Music-Keyboard; MVO-Applied Music:filling out an application and seeing the Music Advisor and Other; MVP-Applied Music/Percussion; MVS-Appliedcompleting the following curriculum with a grade of "C" or Music/Strings; MVV-Applied Music/Voice; MVW-Appliedbetter in each course. At least six (6) of the credits for the Music/Woodwinds
Certificate in Music Business must be taken at FIU Courses that meet the University’s Global Learning requirement are identified as GL
Required Courses:MUM 3744C Career Development for Artists 3 IDS 3336 Artistic Expression in a Global Society – GLMUM 4301 Music Business I 3 (3). Exploration of the interrelatedness of societies andMUM 4814C Leadership in the Arts 3 culture through language, music and art are explored toMUL 4427 Music Administration History & appreciate how individuals convey thought and respond to Analysis 3 events from various perspectives
MUM 4803 Grant Writing for the Arts 3 and MUC 1101 Basic Music Composition (2). ElementaryMUM 3XXX Music Concert Industries 3 principles of composition including the performance of or composition projects. Course includes calligraphy andMUM 4302 Music Business II 3 notation skills. Course may be repeated for credit
or Prerequisites: Freshman music majors; permission of theMUM 3743C Artist Management 3 instructor
Total credits 18 MUC 1342 Introduction to MIDI Technology (2)
Introduction to the MIDI protocol and MIDI-based software,Certificate in Music Technology including music notation, sequencing, patch editing, ear training, and keyboard skills software. Prerequisites: MusicThe Certificate will only be available to students enrolled in major or permission of the instructor
a degree program at FIU. Students not enrolled in adegree program will not be allowed to enroll in the MUC 2221 Composition Seminar I (2). Creative writingCertificate in Music Technology. utilizing 20th century compositional techniques in Impressionism, Neoclassicism, Post-Webern Serialism,Music Technology Courses Indeterminacy, Minimalism, Mixed, Multi and Inter-media,MUC 2301L Introduction to Electronic Music 2 etc. Prerequisite: MUT 1112. Corequisite: MUT 2116 orMUC 3303L Digital Instrument Design 2 permission of instructor
MUC 3304L Audio Digital Signal Processing 2MUC 4404L Advanced Topics in Music MUC 2222 Composition Seminar II (2). Continuation of Technology 2 MUC 2221. Prerequisite: MUC 2221. Corequisite: MUTEnsembles 2117 or permission of instructor
MUN 3024 Laptop Ensemble 2 MUC 2301L Introduction to Electronic Music (2)
Interdisciplinary Music Courses (6 credits total) Introduction to the field of electronic music including theTwo of the following four courses chosen with consultation history, aesthetics, digital studio techniques, analog studioof advisor techniques, digital synthesis, and analog synthesis
MUS 2501 Recording and Production in Pro Prerequisite: MUC 1342
Tools 3 or MUC 3231 Composition III (2). A continuation ofMUC 3333 Sound Reinforcement 3 Composition I to further the development of students or compositional abilities through the writing of more evolvedMUS 4611 Documentary Film Scoring works with regard to duration, instrumentation
Fundamentals 3 Prerequisites: MUC 2222 and admission to composition or area
MUS 4650 Experimental Music and Arts 3 MUC 3232 Composition IV (2). Continuation of MUCAdditional Music Technology Courses (2 credits total) 3231. Prerequisite: MUC 3231
One of the following two courses chosen with consultationof advisor Undergraduate Catalog 2019-2020 College of Communication Architecture + The Arts 311MUC 3302 Electronic Music Lab II (2). A continuation of techniques used by film composers in acoustic music asElectronic Music Lab I with an emphasis on advanced well as scores created with new technologies
MIDI applications including samplers, digital sequencing, Prerequisites: Graduate standing in the School of Musicdigital signal processing and interactive MIDI software. and successful completion of 4 semesters ofIncludes one large composition project. Prerequisite: undergraduate music theory
Electronic Music Lab I
MUC 5635 Computer Music Seminar I (3). IntroducesMUC 3400 Electronic Music Lab III (2). Special projects students to the historical contributions of computer musicin advanced computer music programming focusing on composers and engineers. Prerequisites: MUC 6305,sound synthesis. Includes two large composition projects. MUC 6306. Corequisite: MUC 6405
Can be repeated four times. Prerequisites: Electronic MUC 5636 Computer Music Seminar II (3). IntroducesMusic Lab II and permission of the instructor
students to the compositional procedures used byMUC 4241 Composition V (2). Continuation of MUC computer music composers. Prerequisites: MUC 6305,3232. Prerequisite: MUC 3232. MUC 6306, MUC 6405. Corequisite: MUC 5406
MUC 4242 Composition VI (2). Continuation of MUC MUC 5637 Computer Music Seminar III (3). Introduces4241. Prerequisite: MUC 4241. students to the research technologies for making interactive sound projects including installations andMUC 4404L Advanced Topics in Music Technology (2)
exhibits. Prerequisites: MUC 6305, MUC 6306, MUCA topic based course focusing on specific state of the art 6405, MUC 5406
research in music technology, including subjects such assurround sound, phase vocoders, microcomputers and MUC 5935 Composition Forum (1). Student composerssensors, and plugin design. Prerequisites: MUC 2301L, present their work for critique by faculty and topicsMUC 3302. relevant to composition are presented by faculty and guests. Prerequisite: Admission into the graduateMUC 4610 Film Scoring Fundamentals (3). Introduction composition program
to basic fundamentals of film scores in the 20th and 21stcentury as well as scoring techniques used by film MUE 2040 Introduction to Music Education (2). Thiscomposers in acoustic music as well as scores created course will provide an overview to the basic principles ofwith new technologies. Prerequisites: Undergraduate music education. Topics will include standards, history,standing in the School of Music and successful completion philosophy, school organization, classroom management,of 4 semesters of undergraduate music theory and MUC and assessment
MUE 2346 Vocal Techniques (1). This course isMUC 4611C Documentary Film Scoring Fundamentals designed to give basic technical and pedagogical vocal(3). A basic overview of major documentary film scores in skills necessary for both solo and choral settings
the 20th and 21st century and basic scoring techniques MUE 2440C String Techniques (1). Class instruction ofused by film composers in acoustic music and scores string instruments; tuning and care of instruments;created with new technologies. Prerequisites: Permission teaching techniques, fingerings, bowings; violin, viola,of the instructor and/or undergraduate upper level cello, and double bass
standing in music composition
MUE 2450L Woodwind Techniques (1). Class instructionMUC 4932 Composition Forum (1). Student composers’ of woodwind instruments; tuning and care of instruments
works are critiqued by faculty; topics of interest to Teaching techniques. Single reed instruments, doublecomposers are discussed. Required of all students taking reed instruments, and flute. Class one hour, laboratoryComposition III and higher. Prerequisite: Admission to one hour
Composition Program
MUE 2460L Brass Techniques (1). Class instruction ofMUC 5406 Electronic Music IV (2). An advanced course brass instruments; tuning and care of instruments
in computer music providing students hands-on Teaching techniques. Piston and valve instruments,experience with recently developed hardware and French horn, and trombone. Class one hour, laboratorysoftware for the creation of music. Prerequisite: MUC one hour
MUE 2470L Percussion Techniques (1). ClassMUC 5407 Electronic Music V (2). Students develop new instruction of percussion instruments; sticking techniques;hardware and/or software for uses related to musical care of instruments; teaching techniques. Drum and malletcomposition. Prerequisite: MUC 5406
instruments. Class one hour, laboratory one hour
MUC 5614C Documentary Film Scoring (3). The MUE 3210 Content and Methods of Teachingexamination of documentary film scores in the 20th and Elementary Music (3). Provides content and methods of21st century and scoring techniques used by documentary teaching elementary music as a mode of communicationfilm composers in both acoustic music and scores created and creative expression to elementary students of diversewith new technologies. Prerequisites: Graduate standing backgrounds. (F,S,SS)in the MM in composition and/or permission of theinstructor. MUE 3332 Secondary Instrumental Music Methods (2)
Wind, percussion, and string teaching methods for middleMUC 5615 Film Scoring (3). An in-depth analysis of film and high school level students in a large classroomscores in the 20th and 21st century as well as scoring 312 College of Communication Architecture + The Arts Undergraduate Catalog 2019-2020setting. Field experience is required. Prerequisite: MUE technology. Prerequisite: MUE 2040 and Passing scores2040 on all four (4) parts of the General Knowledge FTCE
MUE 3340 Elementary School Teaching Methods (3). MUE 4940 Student Teaching in Music Education (9-Development of instructional skills, techniques, and 12). Supervised teaching in an elementary and secondarystrategies for elementary school classroom music for the school. Prerequisite: Admission to the program
music teacher. Laboratory and field work required
MUE 5485 Marching Band Techniques (3). A study ofPrerequisite: MUE 2040; Passing scores on all four (4) show design and concepts; marching band managementparts of the General Knowledge FTCE; Corequisite: MUE and organizational procedures including booster3744
organizations, inventory, handbooks, grading procedures,MUE 3395 Music in Special Education (3). The study of rehearsal techniques. Prerequisite: Permission ofmusical experiences for students with disabilities in Instructor
mainstreamed and self-contained special education music MUE 5695 Landscape of 21st Century Performing Artsclasses. Appropriate musical adaptations and (3). This course examines the ways in which, using criticalmodifications are emphasized. Prerequisites: Upper thinking, creativity and communication proficiency,division music major, DEP 2000
students will be able to recognize the challenges that faceMUE 3411C Choral Methods (2). Designed to facilitate today's performing arts educator, artist and organization. Itthe development of skills, techniques, understandings, and aims to develop multiple ways to articulate and discussprofessional dispositions which are necessary for new ways of teaching, performing and working within theleadership. Prerequisite: Permission of the instructor. arts. The objective is to guide students to innovative andPrerequisites: MUE 2040. multiple ways to apply their musical experiences to fit today's challenges and adaptive arts landscape
MUE 3744 Assessment and Evaluation in MusicEducation (2). Discover and apply foundations of MUE 5921 Choral Conducting Workshop (3). The studyassessment and evaluation approaches in music of various topics related to choral literature, conductingeducation. Combined field experience required. and techniques. Prerequisite: Permission of the instructor
Prerequisite: MUE 2040; Passing scores on all four (4) MUE 5922 String Workshop (3). The study of variousareas of FLDOE General Knowledge FTCE exam
topics related to string literature, conducting andCorequisite: MUE 3340
techniques. Prerequisite: Permission of the instructor
MUE 3921 Choral Conducting Workshop (3). The study MUE 5923 Instrumental Conducting Workshop (3). Theof various topics related to choral literature, conducting study of various topics related to instrumental ensembleand techniques. Prerequisite: Permission of the instructor
literature, conducting, and techniques. Prerequisite:MUE 3922 String Workshop (3). The study of various Permission of the instructor
topics related to string literature, conducting and MUE 5924 Jazz Workshop (3). The study of varioustechniques. Prerequisite: Permission of the instructor
topics related to jazz literature, conducting andMUE 3923 Instrumental Conducting Workshop (3). The techniques. Prerequisite: Permission of the instructor
study of various topics related to instrumental ensemble MUE 5928 Workshop in Music (3). Applications ofliterature, conducting, and techniques. Prerequisite: materials and techniques in music in a laboratory or fieldPermission of the instructor
MUE 3924 Jazz Workshop (3). The study of various MUG 4101L Basic Conducting (1). A basic conductingtopics related to jazz literature, conducting and course to gain fundamental technique and interpretation. Atechniques. Prerequisite: Permission of the instructor
prerequisite for both advanced instrumental and choralMUE 3925 Dalcroze Workshop (1) Intensive workshop conducting
as a study of Dalcroze pedagogical methods for use in K- MUG 4202 Choral Conducting (1). With a background in12 music education courses
basic theory, and having performed in ensembles, theMUE 4094 Middle & Secondary School Vocal & student will develop techniques of group conductingInstrumental (3). Development of instructional skills and including madrigal, glee, choir, etc. A survey of choralrehearsal technique, skills and strategies for teaching literature will be included. Prerequisite: MUG 4101L
music in the middle school or senior high school
MUG 4302L Instrumental Conducting (1). With aLaboratory and field work required. (F) background in basic theory, and having performed inMUE 4480 Marching Band Techniques (3). A study of ensembles, the student will develop a knowledge of batonshow design and concepts; marching band management technique, score reading, and interpretation. Prerequisite:and organizational procedures including booster MUG 4101L. Corequisites: Orchestra or wind ensemble ororganizations, inventory, handbooks, grading procedures both
and rehearsal fundamentals. Prerequisite: Permission of MUG 4303 Advanced Orchestral Conducting (3)
Advanced study of orchestral conducting, includingMUE 4646 Progressive Music Methods (2). Current rehearsal techniques, interpretation, score analysis, andtrends and approaches outside of the traditional repertoire. May be repeated. Prerequisites: MUG 4302performance ensemble settings-emphasis on informal and permission of the instructor
learning, popular music, composition, improvisation, and Undergraduate Catalog 2019-2020 College of Communication Architecture + The Arts 313MUG 5105L Advanced Conducting Techniques (1). An the region. Examination of musical style and social contextextension of form and analysis, with interpretation both in in lecture-discussion format with film and performanceinstrumental, and choral conducting. Twentieth-century demonstrations
scoring and symbol interpretation will be studied in depth, MUH 3062 Music of the Caribbean (3). Survey of folk,with actual conducting experience required
popular and classical musical traditions and their ongoingMUG 5205 Graduate Applied Choral Conducting (3). connection with Caribbean populations in the U.S. ClassAdvanced study of choral conducting, including gesture, includes film and performance demonstrations
rehearsal techniques, and repertoire. Prerequisites: MUH 3073, 5075 Women in Music (3). IntroducesGraduate standing and permission of the instructor
students to women musicians including performers,MUG 5307 Graduate Applied Wind Conducting (3). composers, and researchers in all genres
Advanced study of wind conducting, including gesture, MUH 3211 Music History Survey I (3). A survey of musicrehearsal techniques, and repertoire. Prerequisites: from antiquity to 1600. Lectures on historical styles will beGraduate standing and permission of the instructor
supplemented with recordings and musical analysis
MUG 5935 Conducting Seminar (1). An examination of Prerequisites: Music majors or minors only
the principal issues of conducting, emphasizing score MUH 3212 Music History Survey II (3). A survey ofreading and study, rehearsal, interpretation, and music from 1600 to 1800. Lectures on historical styles willcontemporary techniques. Prerequisites: Graduate be supplemented with recordings, and musical analysis
standing and/or permission of the instructor
Prerequisites: MUH 3211 or permission of the instructor
MUH 1560 African American Music (3). Examines the MUH 3213 Music History Survey III (3). A survey ofhistorical influence and development of African American music from 1800 to 1945. Lectures on historical styles willmusic from its African roots to its dominance in the be supplemented with recordings and musical analysis
American popular culture
Prerequisites: MUH 3211 and MUH 3212 or permission ofMUH 2010 Music History Overview (3). A survey of the the instructor
main historical musical periods through a concise analysis MUH 3214 Music History Survey IV (3). The fourthof the main representatives of these periods and their semester of the music history sequence covers the historymilestone works
of music from 1945 to the present and includes theMUH 2022 History of Rock Music (3). This course traces detailed study of its literature through critical listening andthe historical origins, characteristics and stylistic analysis. Prerequisites: MUH 3211, MUH 3212, MUHdevelopments of rock music from a musical and 3213 or permission of the instructor
sociological perspective
MUH 3220 History of Musical Theatre (3). A survey ofMUH 2051 World Music Cultures (for non-music the history of English language musical theatre from itsmajors) (3). This course provides an introductory survey development at the end of the 19th century to present day
of traditions and transformations of music in global Prerequisites: MUH 3211, MUH 3212, MUH 3213
perspective, exploring music both as a phenomenon of MUH 3514 Music of the World – GL (3). Survey of folk,sound and a phenomenon of culture
popular and classical musical traditions from around theMUH 2018 Evolution of Jazz (3). A history course that world. Examination of musical style and social context withsurveys jazz styles from mid-19th century to the present. A film and performance demonstrations. Prerequisite: Majorsociological and musical look at jazz, the personalities and in music
their experience
MUH 3541 Music of Latin America: Folklore andMUH 2370 The History of The Beatles (3). This course Beyond (3). An overview of the orchestral, chamber, solo,traces the development of The Beatles from their vocal, and electronic music from Latin America written inbeginnings to their solo work. The discussions begin in the 20th century and its relationship to the folk music ofAmerica with the Blues, Rockabilly and the birth of Rock the region
'n' Roll. The paramount role of The Beatles in the MUH 3570 Survey of Asian Music (3). Examines therevolutionary decade of the 1960s will be explored in major Asian musical traditions within the culturaldetail, both from a musical and sociological perspective
framework of history, arts, and traditions
MUH 3025 History of Popular Music in the U.S. (3)
MUH 3801 Jazz History (3). An in-depth study of jazzOverview of Afro-American and Euro-American popular music from its inception to the present day. Specificallymusic and its historical development. Examination of designed for music majors, in particular Jazz Studiesmusical style and social context in lecture-discussion students. Prerequisites: MUT 1112, MUT 1222
format with film and video
MUH 3813 History of Afro-Cuban Jazz (3). A study ofMUH 3060 Latino Music in the United States (3). Survey the history and evolution of Afro-Cuban Jazz, includingof Latin American musical tradition brought through Cuban popular music and traditional dance forms, folkloricimmigration. Examination of musical style and social music of African origin, influences from American popularcontext in lecture-discussion format with film and music and early American Jazz, as well as other musicperformance demonstrations
from the Caribbean
MUH 3061 Music of Mexico and Central America (3). Asurvey of folk, popular and classical musical traditions in 314 College of Communication Architecture + The Arts Undergraduate Catalog 2019-2020MUH 3912C Basic Music Research and Bibliography through the Renaissance. Musical structures and(2). This course will familiarize the student with major composers from these eras are studied through lecturessources for research in music, develop the ability to supplemented by recordings and musical analysis
research and write a term paper or thesis, and document Prerequisites: Graduate standing and permission of thethose findings in a scholarly format. Prerequisite: Music instructor
MUH 5686 Graduate Music History Review II (1-3)
MUH 4341 Music of the Baroque Period (3). Survey of Examination of music history achievements of thethe major genres, styles, and composers of the Baroque Baroque and Classical eras. Musical structures andperiod within the wider context of Baroque aesthetics and composers from these eras are studied through lecturesculture. Introduction to Baroque performance practice. supplemented by recordings and musical analysis
Prerequisites: MUH 3211, MUH 3212. Prerequisites: Graduate standing and permission of the instructor
MUH 4681 Music History Seminar II (2). Emphasizesboth historical and theoretical analysis. Scholarly work MUH 5687 Graduate Music History Review III (1-3)
under faculty direction, develops written skills and Examination of music history achievements from theresearch methods. Written project required. Prerequisites: Romantic era to the present. Musical structures andpermission of the instructor. composers from these eras are studied through lectures supplemented by recordings and musical analysis
MUH 5025 History of Popular Music in the U.S. (3)
Prerequisites: Graduate standing and permission of theOverview of Afro-American and Euro-American popular instructor
music and its historical development. Examination ofmusical style and social context in lecture-discussion MUH 5688 Graduate Music History Review IV (2). Theformat with film and video. fourth semester of the music history sequence covers the history of music from 1945 to the present, and includes theMUH 5057 Music of the World (3). Survey of folk, detailed study of its literature through critical listening andpopular and classical musical traditions from around the analysis. Prerequisite: Music majors
world. Examination of musical style and social context withfilm and performance demonstrations. MUH 5815 Jazz History: The Innovators (2). Advanced analysis of key jazz figures at the graduate level
MUH 5065 Latino Music in the United States (3). Surveyof Latin American musical traditions brought through MUL 1010 Music Literature/Music Appreciation (3)
immigration. Examination of musical style and social Lives and creations of great composers in various periodscontext in lecture-discussion format with film and of history. A multimedia course
performance demonstrations
MUL 3551 Wind Literature (3). This course is a study ofMUH 5066 Music of Mexico and Central America (3). A intermediate and advanced wind repertoire. Emphasis issurvey of folk, popular and classical musical traditions in placed on the history of wind music, and the music thatthe region. Examination of musical style and social context creates the cornerstone of wind literature
in lecture-discussion format with film and performance MUL 3600 Art Song Literature (3). A chronologicaldemonstrations
survey of solo vocal literature from the Medieval period toMUH 5067 Music of the Caribbean (3). Survey of folk, the national schools of the contemporary era
popular and classical musical traditions and their ongoing MUL 3470 The History and Repertoire of the Stringconnection with Caribbean populations in the U.S.. Class Quartet (2). The History and Repertoire of the Stringincludes film and performance demonstrations
Quartet provides a broad-based overview of the origins ofMUH 5075 Women in Music (3). Introduces students to and literature for string quartet, through listening,women musicians including performers, composers, and discussion, analysis, and live performance
researchers from all genres
MUL 4400 Keyboard Literature I (3). Study of solo worksMUH 5219 Graduate Music History Survey (1-3). Music for the keyboard from historical beginnings to 1828
history overview for entering graduate students. Performance practices and stylistic analysis will bePrerequisite: Music history placement test. emphasized, with illustrations of representative works
Prerequisites: MUH 3211, MUH 3212
MUH 5345 Musical Style and Practice in the BaroqueEra (3). Detailed treatment of the genres, styles, and MUL 4401 Keyboard Literature II (3). Study of solocomposers of the Baroque period within the wider context works for the keyboard from 1828 to the present
of Baroque aesthetics and culture. Exploration and Performance practices and stylistic analysis will beapplication of Baroque performance practice. emphasized, with illustrations of representative works
Prerequisite: MUL 4400
MUH 5546 Music of the Americas (3). An exploration ofthe folk, popular, and art music of Latin America. MUL 4430 Guitar Literature (3). Survey of solo, chamber, and concerto guitar literature from the 16th century to theMUH 5575 Survey of Asian Music (3). Examines the present. Repertoires will be examined from historical,major Asian musical traditions within the cultural analytical, pedagogical, and text-critical perspectives
framework of history, arts, and traditions
MUL 4490 Survey of Organ Literature (3). Survey ofMUH 5685 Graduate Music History Review I (1-3)
organ literature, history, performance practice, and organExamination of music history achievements from Antiquity Undergraduate Catalog 2019-2020 College of Communication Architecture + The Arts 315design. Includes historic sound recordings. Prerequisite: MUL 5496 Organ Literature I (3). Survey of organPermission of instructor. literature from antiquity to 1750 in the German, French, Italian schools
MUL 4500 Symphonic Literature (3). Survey ofsymphonic literature from the 17th century to present day. MUL 5497 Organ Literature II (3). Survey of organAnalysis and illustrations of representative works. literature from 1750 to the present in the German, French,Prerequisites: MUH 3211, MUH 3212. and American schools
MUL 4602 Vocal Literature I (2). A survey of solo vocal MUL 5505 Symphonic Literature (3). The study of theliterature from the Renaissance, Baroque, and Classical symphony and the symphonic tone poem from its origin inperiods. Corequisite: MUS 2241. the Baroque period to the twentieth century. Prerequisites: Graduate standing in Music and permission of instructor
MUL 4604 Vocal Literature II (2). A survey of the GermanLied and its poetry. Corequisite: MUS 2231. MUL 5607 Vocal Literature I (2). A survey of solo vocal literature from the 17th century to the late 18th century
MUL 4608 Vocal Literature IV (2). A survey of solo vocal Emphasis will be placed on a discussion of ornamentationliterature of the twentieth century. Corequisite: MUS 2211
and performance-practice and comparisons of editions
MUL 4630 Symphonic/Chamber Vocal Literature (1)
MUL 5609 Survey of Art Song Literature (3). AnCorequisites with MUL 4500 Symphonic Literature. A historical survey of the literature for solo voice from thepracticum surveys Symphonic & Chamber vocal music medieval period to the national schools of thefrom 17th Century to present day. Includes selection of contemporary era
personal repertory and ensemble performance
MUL 5624 Vocal Literature II (2). The German Lied andMUL 4643 Choral Literature (3). A survey of sacred and its poetry. Emphasis will be placed on a study of the poetssecular choral literature from the Middle Ages to the and their poetry, important facts of the composers’ livespresent. Emphasis on stylistic analysis and performance and times and other musical and cultural developments
practice for each style period. Prerequisites: MUH 3211, Prerequisite: Graduate standing
3212, 3213, MUH 3213, MUH 3214, Upper Division musicmajor standing. MUL 5625 Vocal Literature III (2). The French Melodie
Emphasis will be placed on a study of the poets and theirMUL 4662 History and Literature of Opera (3)
poetry, their styles and schools, the composers’ lives andChronological survey of opera literature from the 17th times and other musical and cultural developments
century to present day. Analysis and performance of Prerequisite: Graduate standing
representative works. Prerequisites: MUH 3211, MUH3212. MUL 5626 Vocal Literature IV (2). Twentieth-century art song. Emphasis will be placed on the rise of the nationalistMUL 4722C Cuban Piano Music (2). The course is a schools, the development of atonalism and other modernsurvey of music written for the piano in Cuba from the XIX- schools of thought
XXI centuries. Cuba's diverse cultural and political historywill be examined in detail, accompanied by musical MUL 5645 Choral Literature (3). A survey of sacred andexamples and analysis. secular choral literature from the Middle Ages to the present. Emphasis on stylistic analysis and performanceMUL 5405 Keyboard Literature I (3). Study of solo works practice for each style period. Includes score study, auralfor the keyboard from historical beginnings to 1828
analysis of recorded performances and in-classPerformance practices and stylistic analysis will be performances. Prerequisite: Permission of the instructor
emphasized, with illustrations of representative works
MUL 5671 Opera Literature (3). A chronological survey ofMUL 5406 Keyboard Literature II (3). Study of solo operatic literature from the 17th century to the presentworks for the keyboard from 1828 to the present
day. Emphasis placed on the historical milieu in which thePerformance practices and stylistic analysis will be operatic form evolved through the ages
emphasized, with illustrations of representative works
Prerequisite: MUL 5405. MUL 5728C Survey of Cuban Piano Music (2). The course is an in-depth survey of Cuban piano music writtenMUL 5435 Guitar Literature (3). Survey of solo, chamber, during the XIX and XX centuries, accompanied by anand concerto guitar literature from the 16th century to the examination of Cuba's cultural and political heritage
present. Repertoires will be examined from historical,analytical, pedagogical, and text-critical perspectives. MUM 1401 Music Calligraphy (3). The correct procedures for music penmanship, the notation of notesMUL 5456 Wind Instrument Literature (3). The history and chords for music parts and scores
and development of Wind Instrument Literature from ca
1650 to the present day. Music appropriate for all levels of MUM 3601 Audio Techniques I (3). Basic soundinstruction from middle school through college level is engineering, including the basic workings of P.A
included. Prerequisite: Advanced/graduate standing. equipment and the interplay between the various components
MUL 5495 Survey of Organ Literature (3). Survey oforgan literature, history, performance practice and organ MUM 3602 Audio Techniques II (3). Studio recordingdesign. Includes historic sound recordings and in-class techniques, microphone placement, taping and mixing
performance. Prerequisite: Permission of instructor
MUM 3734C Concert Promoter and Venue Management (3). This course introduces the student to
Bachelor of Music Degrees N.B. Students must earn a grade of "C" or better in all courses required for the major. A grade of "C-" or lower is not acceptable in any required course. …
The Master of Arts in Music offers three curricular tracks – Musicology, Music Theory, or Music Theory and History – as well as integrated undergrad/grad options. Program Application Deadline The deadline for applications for AY 2023–24 is January 15, 2023. To be assured full consideration, please apply by this deadline.
Students considering applying to the School of Music should contact Undergraduate Admissions Coordinator Jared Jellison at [email protected] or at 608.263.5986. Current music majors can schedule an appointment via Starfish, which can be accessed via your MyUW student portal.
The Bachelor of Musical Arts explores each student’s passion for music while offering endless cross-disciplinary opportunities to create a unique degree that prepares graduates for a professional career.
Please note that you do not have to wait until you have been formally admitted to UW-Madison to apply to the School of Music. A campus ID number will be sent to you via email 1-2 days after submitting the online UW-Madison application. Once you have received this number, and have applicated your UW-Madison NetID, you can move on to step 2. 2.