Kehinde Wiley A New Republic

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Kehinde wiley a new republic

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COMMUNICATIONS & MARKETING
VIRGINIA MUSEUM OF FINE ARTS
200 N. Boulevard I Richmond, Virginia 23220-4007
www.vmfa.museum/pressroom I T 804.204.2704
FOR IMMEDIATE RELEASE
April 26, 2016
Kehinde Wiley: A New Republic
A mid-career retrospective of a prolific artist opens June 11
An exhibition featuring portraits by one of the country’s
leading contemporary artists will be on view June 11
through September 5 at the Virginia Museum of Fine Arts

Composed of more than 50 monumental paintings and
sculptures, Kehinde Wiley: A New Republic raises intriguing
questions about race, identity, and the politics of
representation

Recognized for his portrayal of contemporary African
American men using conventions of traditional European
portraiture, Wiley has expanded his vision to include
women and cultures from around the globe. In addition to
lesser-known early works, this exhibition also explores new
developments, which include bronze busts, “paintings” in
stained glass, and works from his World Stage series

“Kehinde Wiley is one of the most popular artists in
America today,” Director Alex Nyerges said. “The Virginia
Museum of Fine Arts was one of the first comprehensive Kehinde Wiley (American), Willem van
art museums to acquire his portraits, and we are thrilled to Heythuysen, 2006. oil, enamel on
canvas. Arthur and Margaret Glasgow
present a larger selection of his work to the public. These Fund Virginia Museum of Fine Arts,
paintings and sculptures challenge centuries of stereotypes, Richmond
and we hope our visitors will feel engaged and make the
connection between Wiley’s works and those in our galleries.”
Wiley selects the subjects for his portraits through the process of “street casting” by enlisting young
men and women to pose for his paintings. These people, wearing hoodies, jeans, and baseball caps,
are contrasted against ornate backgrounds that evoke an aristocratic style of portraiture. By replacing
European aristocrats with black subjects, Wiley points out the absence of African Americans from
such historical narratives

The works on view will include selections from his ongoing World Stage series, where Wiley’s work
has taken on a global perspective. In addition to establishing a studio in Beijing, China, Wiley has
spent time in Africa, France, Israel, Jamaica, Haiti, and other countries. Portraits of women from the
An Economy of Grace series include The Two Sisters, which was lent to the exhibition by VMFA Board
of Trustees President William A. Royall, Jr., and his wife, Pamela

More
To help visitors make their own connections between the works in the exhibition and works in the
collection, VMFA has prepared a space, The Art Lounge: Connect Kehinde Wiley to VMFA, where
visitors can access art history books, touch screens, and free cards to look deeper into Wiley’s artistic
process. A map also will be available to help locate all 12 corresponding works in VMFA’s galleries

The exhibition is organized by the Brooklyn Museum and curated by Eugenie Tsai, John and
Barbara Vogelstein Curator of Contemporary Art at the Brooklyn Museum. VMFA’s Associate
Curator of Modern and Contemporary Art, Sarah Eckhardt, PhD., is the organizing curator for
VMFA

Kehinde Wiley: A New Republic is made possible by the Henry Luce Foundation and the National
Endowment for the Arts. The presenting sponsor at VMFA is Altria Group with additional
institutional support from the Julia Louise Reynolds Fund, Norfolk Southern Corporation, and the
Richmond (VA) Chapter, The Links, Incorporated

About Kehinde Wiley
Kehinde Wiley was born in Los Angeles and received a BFA from San Francisco Art Institute in
1999, as well as an MFA from Yale University in 2001. His works are in the collections of more than
40 museums, such as the Los Angeles County Museum of Art; the Museum of Contemporary Art,
Los Angeles; the Hammer Museum, Los Angeles; the Metropolitan Museum of Art, New York; and
the Virginia Museum of Fine Arts. Wiley has had solo exhibitions at the Phoenix Art Museum; the
Columbus Museum of Art, Ohio; the Portland Art Museum, Oregon; the Jewish Museum, New
York; and the Studio Museum in Harlem, among other museums. His work has been the subject of
10 monographs to date. Wiley is currently working on multiple projects, including a monumental
painting for a commission with “ART in Embassies” for the new United States Embassy in Santo
Domingo, Dominican Republic

About the exhibition
 TITLE: Kehinde Wiley: A New Republic
 DATES: June 11 – September 5, 2016
 CURATOR: Coordinating curator for VMFA is Dr. Sarah Eckhardt, Assistant Curator of
Modern and Contemporary Art
 ORGANIZER: Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art,
Brooklyn Museum

 NUMBER OF WORKS: 55
 ITINERARY: Brooklyn Museum of Art: Feb. 20–May 24, 2015; Modern Art Museum, Fort
Worth, Texas: Sept. 20, 2015–Jan. 10, 2016; Seattle Art Museum: Feb. 11–May 8, 2016;
Virginia Museum of Fine Arts: June 11–Sept. 5, 2016; Phoenix Museum of Art; Oct. 7,
2016–Jan. 8, 2017; Toledo Museum of Art: February 10 – May 14, 2017; Oklahoma City
Museum of Art: June 16 – Sept. 10, 2017
 ADMISSION: Free for VMFA members, children 6 and under, and active military
personnel and their immediate families; $12 for adults; $10 for seniors 65+, adult groups of
10 or more, college students, youth (7-17) and students with school ID

 CATALOGUE: A fully illustrated catalogue published by the Brooklyn Museum and
DelMonico Books/Prestel accompanies the exhibition and will be available for purchase at
the VMFA Gift Shop ($39.95 paperback; $49.95 hardcover)

Page 2
About the Virginia Museum of Fine Arts
VMFA’s permanent collection encompasses more than 35,000 works of art spanning 5,000 years of
world history. Its collections of Art Nouveau and Art Deco, English silver, Fabergé, and the art of
South Asia are among the finest in the nation. With acclaimed holdings in American, British
Sporting, Impressionist and Post-Impressionist, and Modern and Contemporary art – and additional
strengths in African, Ancient, East Asian, and European – VMFA ranks as one of the top
comprehensive art museums in the United States. Programs include educational activities and studio
classes for all ages, plus lively after-hours events. VMFA’s Statewide Partnership program includes
traveling exhibitions, artist and teacher workshops, and lectures across the Commonwealth. VMFA,
a certified Virginia Green attraction, is open 365 days a year and general admission is always free

For additional information, telephone 804-340-1400 or visit www.vmfa.museum

###
Press Contact:
Allan Altholz, [email protected], 804.204.2702
Virginia Museum of Fine Arts, 200 N. Boulevard, Richmond VA 23220-4007
Page 3

Page 2 To help visitors make their own connections between the works in the exhibition and works in the collection, VMFA has prepared a space, The Art Lounge: Connect Kehinde Wiley …

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Frequently Asked Questions

What are the themes of kehinde wileys a new republic?

The works presented in Kehinde Wiley: A New Republic raise questions about race, gender, and the politics of representation by portraying contemporary African American men and women using the conventions of traditional European portraiture.

Who organized kehinde wileys new republic?

Kehinde Wiley: A New Republic is organized by Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum. A fully illustrated catalogue published by the Brooklyn Museum and DelMonico Books • Prestel accompanies the exhibition.

What is kehinde wileys world stage?

The exhibition includes a selection of Wiley’s World Stage paintings, begun in 2006, in which he takes his street casting process to other countries, widening the scope of his collaboration. Kehinde Wiley: A New Republic is organized by Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum.

What kind of sculpture does kehinde wiley do?

Though Kehinde Wiley is best known for his painted portraits, here he shifts from painting to sculpture. In both the lift and turn of the young man’s head and the open V of his zippered collar, this bronze refers to an eighteenth-century marble bust by Jean-Antoine Houdon.